أوراق ألوان مائية من كانسون قياس (50x70cm) غراماج (300gsm) لون أبيض طبيعي، ورق قطني مضغوط على البارد وخالٍ من الأحماض

This is a single, large 50 x 70 cm sheet made from 100% cotton watercolor paper. It weighs 300 gsm, has a natural white shade, a balanced cold-pressed texture, and is acid-free for archival longevity. It handles washes well, allows for detailed work, and provides a durable surface suitable for professional watercolor techniques.

The generous 50x70 cm sheet gives you a spacious surface for large-scale paintings without seams, making it ideal for expansive washes, dramatic compositions, and longer, continuous brushwork.

Cold-pressed lies between hot-pressed (smooth) and rough (toothy). It offers a balanced texture that gives gentle tooth for pigment grip while still allowing smooth washes and fine detail. It’s a versatile choice for both broad strokes and precise lines.

Yes. The sheet is acid-free, which helps prevent deterioration and yellowing over time, making it suitable for archival-quality watercolor work.

Yes. The paper handles watercolor well and is compatible with ink and graphite for drawing and detailing. For marker work, test on a small area first to ensure the finish and layering behave as expected.

Ideal techniques include wet-on-wet for soft edges, glazing for depth, and fine detailing with a smaller brush. The paper’s 300 gsm weight and absorbency support multiple layers without excessive cockling when used judiciously.

Compared to Strathmore 500 Series Cold-Pressed and Fabriano Accademia papers, this Canson sheet offers a similar professional-grade surface with a slightly different tooth and tonal response due to the cotton content. If you prefer a particular brand feel or surface texture, you can explore Strathmore 500 Series (https://fepy.com/strathmore-500-series-watercolor-paper-cold-press-300gsm-11x15-in) and Fabriano Accademia (https://fepy.com/fabriano-accademia-watercolor-paper-300gsm-cold-press-22x30cm) on Fepy to compare density, edge clarity, and how each handles glazing and washes.

For large sheets, you can tape the edges to a stiff board to keep the surface flat while you work. Let the paper acclimate to room conditions and avoid exposing it to rapid humidity changes. If you notice warping after washes, you can flatten the sheet by pressing it under a clean, heavy board once it’s dry.

Store the sheet flat in a dry, dust-free area away from direct sunlight. Handle with clean, dry hands or gloves to prevent oils from transferring to the surface, which can affect paint adhesion.

Use a sharp craft knife and a metal ruler to trim with a clean, straight edge. Align your cut outside the painted area if you want to preserve the entire painting, and make several light passes rather than a single hard cut for accuracy.

Yes. For professional, large-format watercolor work, the Canson 50x70 cm sheet offers a high-quality cotton surface, archival stability, and a generous working area that appeals to serious artists seeking single-sheet performance without joins.

If you’re exploring alternatives on Fepy, you might want to compare: Strathmore 500 Series Cold-Pressed 300gsm (https://fepy.com/strathmore-500-series-watercolor-paper-cold-press-300gsm-11x15-in), Fabriano Accademia 300gsm Cold-Pressed (https://fepy.com/fabriano-accademia-watercolor-paper-300gsm-cold-press-22x30cm), and Canson XL Watercolor 300gsm Cold-Pressed (https://fepy.com/canson-xl-watercolor-paper-300gsm-cold-press-18x24in). Each option has its own texture and pigment-absorption characteristics, so you can pick the one that best matches your technique and preferred brushwork.