لوحة رسم زيتية دالر روني تاينهام قياس (20x16”) غراماج (240gsm) مكونة من (12) ورقة، ورق رسم زيتي ذو ملمس مميز للمحترفين

Size: 20 x 16 inches (508 x 406 mm). Paper weight: 240gsm. Sheets: 12. Surface: textured, oil-absorbent coating. Acid-free: yes. Ready-to-use surface: no priming required.

No priming is required. You can apply oil paints directly to the ready-to-use surface. Lightly sketch or block in with brushes, then build up layers. Allow proper drying time between layers and use appropriate solvent or mediums as needed.

If you’re exploring options on Fepy, you can compare by surface texture and weight. Alternatives you might consider are: 1) Daler Rowney Tyneham Oil Pad 20x16-300gsm (higher weight for less warp) https://fepy.com/products/daler-rowney-tyneham-oil-pad-20x16-300gsm-12-sheets 2) Arches Oil Painting Paper Pad 20x16-250gsm https://fepy.com/products/arches-oil-paper-pad-20x16-250gsm-12-sheets 3) Winsor & Newton Oil Painting Paper Pad 20x16-260gsm https://fepy.com/products/winsor-newton-oil-pad-20x16-260gsm-12-sheets

It's well-suited for professional studio work, academic study, plein air practice, and travel sketching where an oil-compatible surface is needed. It supports direct application, glazing, and layering with oils without priming.

Mount the sheet to a stable board or use light masking tape to secure it. Keep the pad flat to avoid warping, and work in a well-ventilated area. After painting, allow sufficient drying time before moving or framing.

Yes. The paper is acid-free, designed for archival longevity, and suitable for oil painting. It’s compatible with standard solvent and medium use; follow general studio safety practices when working with oils.

If you need to return, you can initiate a return within the store’s policy window for unused items in original packaging. Please follow the standard return process shown on Fepy to ensure a smooth return.

A 240gsm paper is lighter and tends to absorb more oil, offering quicker drying and a flatter surface. Thicker papers (e.g., 300gsm) resist buckling better and are more forgiving with heavy layering. Choose based on whether you prefer quicker absorption or less warp with multiple layers.

The Tyneham Oil Pad provides a ready-to-use surface, suitable for direct painting and small works. For larger pieces or to ensure flatness in framing, you may mount or back it with a rigid support before framing. Use archival mounting methods to preserve longevity.