Canson Mi-Teintes Paper, 50x65cm, 160gsm, Dark Grey (345), Textured Acid-Free Pastel & Charcoal Paper

Dual texture means one side has a honeycomb grain and the opposite side is smoother. Use the honeycomb grain side for heavier pastel and charcoal application to grip the pigment, and switch to the smoother side for fine lines, detailing, or graphite work when you want smoother shading.

Pastels (soft and hard), charcoal, and dry media like graphite and colored pencils perform well due to the paper’s high tooth. The smooth side is suitable for blending with pencils, while the textured side excels at laying down vibrant pastel layers.

Size: 50 x 65 cm (single sheet). Paper weight: 160 gsm (mid-weight pastel surface). Texture: dual texture with honeycomb grain on one side and smooth on the other. Color: dark grey. Finish: acid-free for color stability and durability.

Store flat in a dry, cool environment away from direct sunlight. Keep sheets separated or in a sleeve to prevent dust buildup and scratching. Avoid bending or rolling, which can distort the texture and alignment.

Ideal for portrait studies, landscape scenes, still lifes, and any pastel or charcoal work where a dark ground helps emphasize midtones and color depth. The grey background helps with value range and glow effects in drawings.

Place the sheet on a clean surface, optionally secure the corners with low-tack artist tape to prevent shifting. If framing later, ensure the paper remains flat and not bent during mounting. Work slowly to avoid excessive dust on the surface.

Dark grey provides a neutral mid-tone that alters perceived color relationships. It tends to make light pastels and highlights stand out more distinctly while muting very dark tones slightly, so plan your contrasts accordingly for the desired dramatic effect.

Compared with lighter variants, the dark grey increases contrast for light pigments and can create richer shadows. For example, the Light Grey version offers a brighter ground that lifts mid-tones differently, while the Sand or Ivory colors produce warmer undertones. See these alternatives on Fepy for side-by-side comparison:

If you’re exploring color options within the Mi-Teintes line on Fepy, you can consider these variants: Light Grey (https://fepy.com/product/canson-mi-teintes-paper-light-grey-50x65cm-160gsm), Charcoal Grey (https://fepy.com/product/canson-mi-teintes-paper-charcoal-grey-50x65cm-160gsm), Sand (https://fepy.com/product/canson-mi-teintes-paper-sand-50x65cm-160gsm), Ivory (https://fepy.com/product/canson-mi-teintes-paper-ivory-50x65cm-160gsm). They offer different undertones that affect tonal balance and color perception in your work.

Yes, the single-sheet 50x65 cm size can be framed, but you may want to mount or mat it to prevent handling damage. The acid-free nature helps with long-term color stability when properly stored or framed behind appropriate archival materials.

The Mi-Teintes Dark Grey 160gsm provides a sturdy mid-weight surface with dual texture, acid-free stability, and a color ground that enhances contrast for pastel and charcoal work. It’s particularly cost-effective for larger studies and for artists who want a defined mid-tone base to influence shading and color depth, making it a strong value choice among textured pastel papers.

The paper itself is inert as a drawing surface and is acid-free, which helps prevent unwanted chemical interactions over time. When using pastel or charcoal, work in a well-ventilated area and handle dust with a brush or cloth to minimize inhalation or dust spread.