Daler Rowney Georgian Oil Colour, Raw Umber, 225ml, Natural Earth Tone, Smooth Texture & Strong Opacity
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- Daler Rowney Georgian Oil Colour Raw Umber 225ml (Model: DAL111225247) provides a natural, muted brown shade ideal for underpainting, glazing, and portrait work. Offers excellent coverage and smooth handling.
Key Features
Features & Benefits
Volume
225ml artist-grade oil paint.
Pigment
Raw Umber – natural earthy tone.
Smooth Application
Ensures even paint distribution.
High Pigment Load
Produces strong, opaque results.
Long Open Time
Perfect for blending and fine detail.
Excellent Lightfastness
Retains colour intensity.
Perfect For
Portrait, landscape, and fine detail art.
Key Specifications
Custom Stock Status
Available On Request
Weight
0.21 kg
Brands
Daler Rowney
Color
Orange
Quantity Unit
PCS
Product Color
Raw Umber
Model No
DAL111225247
Item Type
Oil Color
Country Of Origin
UK
Volume
225ml
Frequently Asked Questions
What exactly is Daler Rowney Georgian Oil Colour Raw Umber used for?
Daler Rowney Georgian Oil Colour Raw Umber is a natural earth-tone oil paint ideal for underpainting, glazing, portrait work, and fine detail. Its smooth texture and strong opacity help create muted, realistic tones and allow for layered blending in portraits and landscapes.
What are the key specifications for this 225ml Raw Umber oil color?
- Volume: 225ml - Pigment: Raw Umber (natural earthy tone) - Texture: Smooth application for even paint distribution - Pigment load: High pigment load for strong, opaque results - Open time: Long open time for blending and detailed work - Lightfastness: Excellent lightfastness to retain colour intensity - Best uses: Portraits, landscapes, and fine detail work
How does Raw Umber differ from Burnt Umber within the Georgian oil colour range?
Raw Umber tends to read cooler and more muted, with subtle grey-brown undertones, making it good for underpainting and cool shadow areas. Burnt Umber is warmer and richer, useful for deeper shadows and more saturated earth tones. Both are compatible with glazing and layering, but they produce different mood and temperature in a painting.
What are some ideal use cases or projects for this shade?
Ideal for underpaintings, neutral skin tones in portraits, earth-tone landscapes, facial shadows, and glazing projects where you want natural, muted browns with good coverage and blending potential.
Which techniques pair well with this paint to get the best results?
Try glazing over lighter layers to build depth, use scumbling on dry passages for texture, and blend while the paint is still open. Its long open time makes it suitable for smooth transitions and fine detail work in portraits and landscapes.
How should I apply and blend this oil colour to achieve a smooth finish?
Begin with a well-primed support and use a suitable oil medium to adjust flow. Apply in thin, even layers, allow each layer to set lightly before adding subsequent glazes, and use a soft brush for gentle blending. Wipe or lift excess paint as needed to maintain clean edges and gradual transitions.
Is this product safe to use in a studio, and what safety considerations should I note?
As with most oil colours, use in a well-ventilated area and avoid skin contact. Pigments can be irritating if exposed over long periods, so wash hands after use and wear protective clothing if needed. Store away from children and keep containers tightly closed when not in use.
How should I store the paint to maximize its longevity and performance?
Keep the tub tightly closed when not in use, store in a cool, dry place away from direct sunlight, and avoid extreme temperature fluctuations. If pigment settles, remix gently before use to maintain consistent colour and texture.
What is the returns policy for this product on Fepy, and is it good value for money?
Fepy supports returns on many items when requested within the stated policy window and under the terms of unused or unopened items. This Georgia oil colour offers strong coverage and longevity, making it a solid value for artists needing a reliable, natural earth tone for a range of portraits and landscapes.
Which other oil colors in the Georgian range should I consider alongside Raw Umber?
If you’re exploring related earth tones, you might also look at Burnt Umber and Natural Umber from the Georgian line to compare warmth and depth. See these alternatives on Fepy: https://fepy.com/product/daler-rowney-georgian-oil-colour-burnt-umber-225ml-dal111225246 and https://fepy.com/product/daler-rowney-georgian-oil-colour-raw-umber-125ml
What are good companion colors to pair with Raw Umber for cohesive paintings?
Pair Raw Umber with cooler earth tones (like Raw Sienna or Payne’s Grey) for shadowed areas, and use lighter earth tones (like Yellow Ochre or Titanium White mixes) for highlights. For a richer palette, consider Burnt Umber or Alizarin Crimson mixed in sparingly for warm flesh tones and landscape depth.
Where can I find additional guidance or demonstrations on using this shade effectively?
Look for tutorials or artist demonstrations on Fepy that cover glazing and underpainting techniques with earth tones. If you’re comparing options, you can also explore related product pages such as: https://fepy.com/product/daler-rowney-georgian-oil-colour-raw-umber-225ml-dal111225247 and related alternatives listed there.
Are there recommended related products I should consider to complete a project using Raw Umber?
Yes. Consider pairing with a lighter earth color like Yellow Ochre, a warmer brown such as Burnt Umber, and an adjustable medium (oil medium or slow-drying medium) to control open time and glaze depth. You can also explore additional Georgian colors and compatible brands on Fepy to build your palette: https://fepy.com/product/daler-rowney-georgian-oil-colour-burnt-umber-225ml-dal111225246 and https://fepy.com/product/daler-rowney-georgian-oil-colour-raw-umber-125ml
Frequently Asked Questions
Daler Rowney Georgian Oil Colour Raw Umber is a natural earth-tone oil paint ideal for underpainting, glazing, portrait work, and fine detail. Its smooth texture and strong opacity help create muted, realistic tones and allow for layered blending in portraits and landscapes.
- Volume: 225ml - Pigment: Raw Umber (natural earthy tone) - Texture: Smooth application for even paint distribution - Pigment load: High pigment load for strong, opaque results - Open time: Long open time for blending and detailed work - Lightfastness: Excellent lightfastness to retain colour intensity - Best uses: Portraits, landscapes, and fine detail work
Raw Umber tends to read cooler and more muted, with subtle grey-brown undertones, making it good for underpainting and cool shadow areas. Burnt Umber is warmer and richer, useful for deeper shadows and more saturated earth tones. Both are compatible with glazing and layering, but they produce different mood and temperature in a painting.
Ideal for underpaintings, neutral skin tones in portraits, earth-tone landscapes, facial shadows, and glazing projects where you want natural, muted browns with good coverage and blending potential.
Try glazing over lighter layers to build depth, use scumbling on dry passages for texture, and blend while the paint is still open. Its long open time makes it suitable for smooth transitions and fine detail work in portraits and landscapes.
Begin with a well-primed support and use a suitable oil medium to adjust flow. Apply in thin, even layers, allow each layer to set lightly before adding subsequent glazes, and use a soft brush for gentle blending. Wipe or lift excess paint as needed to maintain clean edges and gradual transitions.
As with most oil colours, use in a well-ventilated area and avoid skin contact. Pigments can be irritating if exposed over long periods, so wash hands after use and wear protective clothing if needed. Store away from children and keep containers tightly closed when not in use.
Keep the tub tightly closed when not in use, store in a cool, dry place away from direct sunlight, and avoid extreme temperature fluctuations. If pigment settles, remix gently before use to maintain consistent colour and texture.
Fepy supports returns on many items when requested within the stated policy window and under the terms of unused or unopened items. This Georgia oil colour offers strong coverage and longevity, making it a solid value for artists needing a reliable, natural earth tone for a range of portraits and landscapes.
If you’re exploring related earth tones, you might also look at Burnt Umber and Natural Umber from the Georgian line to compare warmth and depth. See these alternatives on Fepy: https://fepy.com/product/daler-rowney-georgian-oil-colour-burnt-umber-225ml-dal111225246 and https://fepy.com/product/daler-rowney-georgian-oil-colour-raw-umber-125ml
Pair Raw Umber with cooler earth tones (like Raw Sienna or Payne’s Grey) for shadowed areas, and use lighter earth tones (like Yellow Ochre or Titanium White mixes) for highlights. For a richer palette, consider Burnt Umber or Alizarin Crimson mixed in sparingly for warm flesh tones and landscape depth.
Look for tutorials or artist demonstrations on Fepy that cover glazing and underpainting techniques with earth tones. If you’re comparing options, you can also explore related product pages such as: https://fepy.com/product/daler-rowney-georgian-oil-colour-raw-umber-225ml-dal111225247 and related alternatives listed there.
Yes. Consider pairing with a lighter earth color like Yellow Ochre, a warmer brown such as Burnt Umber, and an adjustable medium (oil medium or slow-drying medium) to control open time and glaze depth. You can also explore additional Georgian colors and compatible brands on Fepy to build your palette: https://fepy.com/product/daler-rowney-georgian-oil-colour-burnt-umber-225ml-dal111225246 and https://fepy.com/product/daler-rowney-georgian-oil-colour-raw-umber-125ml
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100% secure payment processing
256-bit SSL encryption
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On all orders above AED 200 across UAE
Same Day In Abu Dhabi & Dubai
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Authentic products guaranteed
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