Faber-Castell Acrylic Color, 120 ml Tube, Quick Dry, Fade Resistant, Smooth Application, Rich Coverage, Ideal for Florals & Warm Glazes – Pale Geranium Lake

Edge: smooth deposit that follows petal contours and delicate botanical transitions. Pigment: warm red-pink delivers luminous floral tones without washing out surrounding hues. Drying: sets consistently to preserve glaze transparency over light to mid-tones. Flow: viscosity supports crisp marks and fine filigree lines. Efficiency: the large 120 ml tube reduces interruptions during multi-canvas floral projects. Application: suitable for portraits, decorative motifs, and illustrative highlights needing warmth.

Squeeze a small amount onto a palette, mix with a glazing medium if you want more translucency, and apply in thin, gradual layers. Build depth with multiple lights coats to avoid muddying, letting each layer set before the next. Use a fine brush for petal edges and delicate lines to keep details crisp.

It dries to a stable glaze that remains transparent over light grounds and mid-tones, enabling soft transitions. When layering, start with light washes and gradually add depth, re-establishing edges as needed to keep petals distinct and vibrant.

If you’re choosing alternatives on Fepy, you can compare tones and glaze behavior with similar pigments. For instance, you could review: https://fepy.com/product/faber-castell-acrylic-color-120ml-cadmium-red-light and https://fepy.com/product/faber-castell-acrylic-color-120ml-quinacridone-magenta to see how different warm reds and pinks behave in glazing and blending, helping you pick the right hue for petals and depth.

Ideal for florals and botanical studies, warm glaze accents, and portrait highlights where you want a soft pink-red warmth. It’s also great for decorative motifs and illustrative highlights that require a gentle, luminous warmth without overpowering neighboring colors.

No primer is strictly required for canvas or prepared surfaces, but using a compatible acrylic medium can help with extended open time, blending, and a smoother glaze. A gloss or semi-gloss medium can enhance depth and reduce brush streaks for fine line work.

Yes. It’s a water-based acrylic color designed for general studio use. It’s non-toxic for typical artistic applications when used as directed, and easy to clean up with water. Always handle pigments responsibly and avoid ingestion or contact with eyes.

Yes. A 120 ml tube provides more color per gram than smaller tubes, which is cost-efficient for large floral series or extended glazing work. It also offers consistent color strength and viscosity across a long project, reducing the need for frequent restocks.

Seal the cap tightly to prevent drying at the nozzle, store the tube upright or lying flat in a cool, dry place away from direct sunlight, and avoid prolonged exposure to heat. If the color thickens slightly over time, mix with a small amount of medium or remix on your palette to restore smooth flow.

Rinse brushes with lukewarm water, then wash with mild soap to remove all pigment. Reshape bristles and lay flat to dry. If you’ve used a medium, rinse the brush with the appropriate cleaner before washing with soap and water.

Try lightening with white or a touch of titanium white for pastel petals, or deepen with a tiny amount of a warmer red to intensify the glow on shaded areas. For warm glazes, blend with a small amount of yellow pigments to heighten warmth, and test with a glaze medium to control transparency and flow.