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Faber-Castell Acrylic Color, 120 ml Tube, Quick Dry, Smooth Application & Blending, Consistent Texture, Ideal for Warm Mid-tones on Multi Surfaces – Burnt Ochre

Olfa Self-Retracting Safety Knife with Tape Slitter, 17.5mm, Compact Design - Yellow

Panart Cotton Canvas Board, 24x30 cm, Artist Painting Surface

Canson Montval Watercolour Pad, A3, 300gsm, 12 Sheets, Cold-Pressed Acid-Free Paper for Professional Artists
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Faber-Castell Acrylic Color, 120 ml Tube, Quick Dry, Smooth Application & Blending, Consistent Texture, Ideal for Warm Mid-tones on Multi Surfaces – Burnt Ochre
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- Faber-Castell provides dependable earth colours for home, school, and studio painting. With reliability, consistent texture, and smooth coverage, they support portrait warms, terracotta accents, and desert scenes daily. Model FCIN378387 (Burnt Ochre) ensures stable, natural mixes.
Key Features
Still need help? Contact on WhatsApp
Frequently Bought Together
Everything you need in one click

Faber-Castell Acrylic Color, 120 ml Tube, Quick Dry, Smooth Application & Blending, Consistent Texture, Ideal for Warm Mid-tones on Multi Surfaces – Burnt Ochre

Olfa Self-Retracting Safety Knife with Tape Slitter, 17.5mm, Compact Design - Yellow

Panart Cotton Canvas Board, 24x30 cm, Artist Painting Surface

Canson Montval Watercolour Pad, A3, 300gsm, 12 Sheets, Cold-Pressed Acid-Free Paper for Professional Artists
Individual Price
17.19Buy selected items separately
Bundle Price
Still need help? Contact on WhatsApp
Features & Benefits
Coverage
Opaque mid-tone establishes warm bases efficiently across studies.
Pigment
Earthy orange-brown mixes lifelike skin transitions and sandstone hues.
Drying
Predictable cure aids glazing without disturbing underlayers.
Flow
Creamy consistency supports confident, decisive brushwork.
Economy
120 ml tube accommodates extended practice sessions.
Application
Great for portrait warms, ceramics, and arid landscape palettes.
Key Specifications
Custom Stock Status
Available On Request
Brands
Faber-Castell
Color
Brown
Quantity Unit
PCS
Product Color
Burnt Ochre
Model No
FCIN378387
Dimension
16.2 x 9.6 x 3.8cm
Item Type
Acrylic Color
Volume
120ml
Frequently Asked Questions
What is this Faber-Castell Acrylic Color 120 ml Burnt Ochre best used for?
Burnt Ochre is a warm, earthy mid-tone ideal for portrait warms, terracotta accents, and arid/desert landscapes. The 120 ml tube provides plenty of color for extended practice or larger pieces, with a smooth, even laydown and reliable blending.
What are the key features of this acrylic color?
Key features include quick-dry performance, smooth coverage, a consistent texture, and creamy flow that supports confident brushwork. The pigment yields an earthy orange-brown tone suitable for natural-looking mixes and layered glazes.
Which surfaces can I use Burnt Ochre on?
This acrylic color is suitable for multi-surface use (canvas, paper, wood, and certain ceramics). Always test on your chosen surface first to ensure adhesion and compatible drying behavior.
How should I mix and apply Burnt Ochre for best results?
Shake the tube well before use. Squeeze a small amount onto your palette, mix with a little water or medium to adjust transparency, and apply in thin layers. For richer color, build up in multiple passes. Allow each layer to dry before glazing or overpainting to preserve underlayers.
How long does it take to dry, and can I glaze over it?
Drying time depends on layer thickness and ambient conditions, but it’s designed for predictable working times. You can glaze over a dry layer to create transition tones and depth without disturbing underlayers.
How much coverage does the 120 ml tube provide?
Coverage depends on technique and surface, but a 120 ml tube is designed for extended sessions and larger works, offering ample material for base coats, shading, and multiple projects without frequent restocking.
How do I clean up after painting with this acrylic color?
Because it’s water-based, brushes and palettes wash out with soap and warm water while the paint is still wet. Clean up promptly to prevent staining on brushes and tools.
Is this product safe for classroom use or for beginners?
Yes. Faber-Castell acrylic colors are formulated to be non-toxic and water-based, making them suitable for classroom use and beginners. Use in a well-ventilated area and follow standard safety practices (avoid prolonged skin contact and keep out of reach of small children who might put colors in their mouths).
How does Burnt Ochre compare with other earth tones available on Fepy, like Raw Umber and Burnt Sienna?
Burnt Ochre provides a warm orange-brown mid-tone ideal for warm portraits and desert palettes. Raw Umber is cooler and more neutral, great for shadow areas and natural stone tones. Burnt Sienna is warmer with a reddish note, useful for earthy reds and antique finishes. Availability on Fepy includes these alternatives: Raw Umber (https://fepy.com/product/faber-castell-acrylic-color-120ml-raw-umber) and Burnt Sienna (https://fepy.com/product/faber-castell-acrylic-color-120ml-burnt-sienna).
How should I store Burnt Ochre to maximize shelf life and performance?
Store the tube upright with the cap tightly closed, away from direct sunlight and extreme temperatures. This helps preserve pigment integrity and prevents drying at the nozzle.
Is Burnt Ochre a good value option for ongoing painting practice on multiple surfaces?
Yes. The 120 ml size provides extended usage, reducing the frequency of repurchase, while maintaining a stable, mid-tone color ideal for practice, layering, and mixed-media applications. Its consistency and coverage help you achieve reliable results over many sessions.
Any quick-start tips for beginners to get up and painting fast?
Tip 1: Test on scrap paper first to gauge flow and drying time. Tip 2: Start with a light wash to establish a base tone, then add layers for depth. Tip 3: Use a compatible acrylic medium or glaze if you want to extend the paint’s transparency. Tip 4: Clean brushes between colors to keep tones clean and predictable.
Frequently Asked Questions
Burnt Ochre is a warm, earthy mid-tone ideal for portrait warms, terracotta accents, and arid/desert landscapes. The 120 ml tube provides plenty of color for extended practice or larger pieces, with a smooth, even laydown and reliable blending.
Key features include quick-dry performance, smooth coverage, a consistent texture, and creamy flow that supports confident brushwork. The pigment yields an earthy orange-brown tone suitable for natural-looking mixes and layered glazes.
This acrylic color is suitable for multi-surface use (canvas, paper, wood, and certain ceramics). Always test on your chosen surface first to ensure adhesion and compatible drying behavior.
Shake the tube well before use. Squeeze a small amount onto your palette, mix with a little water or medium to adjust transparency, and apply in thin layers. For richer color, build up in multiple passes. Allow each layer to dry before glazing or overpainting to preserve underlayers.
Drying time depends on layer thickness and ambient conditions, but it’s designed for predictable working times. You can glaze over a dry layer to create transition tones and depth without disturbing underlayers.
Coverage depends on technique and surface, but a 120 ml tube is designed for extended sessions and larger works, offering ample material for base coats, shading, and multiple projects without frequent restocking.
Because it’s water-based, brushes and palettes wash out with soap and warm water while the paint is still wet. Clean up promptly to prevent staining on brushes and tools.
Yes. Faber-Castell acrylic colors are formulated to be non-toxic and water-based, making them suitable for classroom use and beginners. Use in a well-ventilated area and follow standard safety practices (avoid prolonged skin contact and keep out of reach of small children who might put colors in their mouths).
Burnt Ochre provides a warm orange-brown mid-tone ideal for warm portraits and desert palettes. Raw Umber is cooler and more neutral, great for shadow areas and natural stone tones. Burnt Sienna is warmer with a reddish note, useful for earthy reds and antique finishes. Availability on Fepy includes these alternatives: Raw Umber (https://fepy.com/product/faber-castell-acrylic-color-120ml-raw-umber) and Burnt Sienna (https://fepy.com/product/faber-castell-acrylic-color-120ml-burnt-sienna).
Store the tube upright with the cap tightly closed, away from direct sunlight and extreme temperatures. This helps preserve pigment integrity and prevents drying at the nozzle.
Yes. The 120 ml size provides extended usage, reducing the frequency of repurchase, while maintaining a stable, mid-tone color ideal for practice, layering, and mixed-media applications. Its consistency and coverage help you achieve reliable results over many sessions.
Tip 1: Test on scrap paper first to gauge flow and drying time. Tip 2: Start with a light wash to establish a base tone, then add layers for depth. Tip 3: Use a compatible acrylic medium or glaze if you want to extend the paint’s transparency. Tip 4: Clean brushes between colors to keep tones clean and predictable.
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