Mont Marte Acrylic Colour, 300ml, Earthy Brown Tone, Smooth Texture & Excellent Opacity, Burnt Umber

Volume: 300ml; Pigment: Burnt Umber (dark earthy tone); Smooth flow that spreads evenly across surfaces; High opacity for good coverage; Fast-drying formula; Non-toxic and safe for home, school, and studio use; Best for portraits, shading, and base tones.

The paint has high opacity, meaning you can achieve solid coverage with fewer coats. In most cases, one well-applied coat can provide a strong base, with additional coats if you want deeper depth or more uniform tone.

Apply with a suitable synthetic brush in smooth, even strokes. For blending, work while the paint is wet, gradually feathering edges. You can mix Burnt Umber with lighter or warmer tones to create natural shadows and transitions.

Acrylics like Burnt Umber adhere well to primed canvas, wood panels, paper, cardboard, and other non-oily, properly prepared surfaces. Ensure the surface is clean and primed for best results.

Mont Marte Burnt Umber has a fast-drying formula. It typically dries to the touch within 15–30 minutes, depending on thickness and environmental conditions. You can rework or layer once the layer beneath is dry to the touch.

Yes. The paint is non-toxic and designed for safe use in homes, schools, and studios.

Thin with a little water or acrylic medium to adjust flow and transparency. Because Burnt Umber has high opacity, thinning can help you blend it with lighter tones or create subtle transitions.

Rinse brushes with clean water immediately after use. Wash with mild soap to remove any dried pigment, then reshape and lay flat to dry.

Returns are handled according to Fepy’s standard policy for eligible items. If you’re not satisfied, contact Fepy support to confirm eligibility and next steps for returning the product.

You can compare with Mont Marte Acrylic Colour 300ml Raw Umber and Mont Marte Acrylic Colour 300ml Burnt Sienna, both available on Fepy. Raw Umber provides a cooler earthy tone, while Burnt Sienna offers a warmer option for flesh tones and shadows.

Burnt Umber is ideal for building earthy tones in portraits, creating realistic shadows, basing underpaintings, and grounding scenes in landscape or still-life works. Its opacity helps you establish strong, durable foundations with fewer coats, making it cost-effective for large areas or multiple layers.